Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Diego Velazquez Count-Duke of Olivares (df01) oil painting


Count-Duke of Olivares (df01)
1624
Painting ID::  22518
Diego Velazquez
Count-Duke of Olivares (df01)
1624
   
   
     

Diego Velazquez Don Luis de Gongora y Argote (df01) oil painting


Don Luis de Gongora y Argote (df01)
1622
Painting ID::  22519
Diego Velazquez
Don Luis de Gongora y Argote (df01)
1622
   
   
     

Diego Velazquez Philip IV,Standing (df01) oil painting


Philip IV,Standing (df01)
Redone c 1628
Painting ID::  22520
Diego Velazquez
Philip IV,Standing (df01)
Redone c 1628
   
   
     

Diego Velazquez Infante Don Carlos (df01) oil painting


Infante Don Carlos (df01)
1628
Painting ID::  22521
Diego Velazquez
Infante Don Carlos (df01)
1628
   
   
     

Diego Velazquez Philip IV in Armour (df01) oil painting


Philip IV in Armour (df01)
c 1628
Painting ID::  22522
Diego Velazquez
Philip IV in Armour (df01)
c 1628
   
   
     

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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